The Social Life of Tunes: Representing the Aesthetics of Reception

dc.contributor.authorSu, Norman Makoto
dc.date.accessioned2017-04-15T11:42:24Z
dc.date.available2017-04-15T11:42:24Z
dc.date.issued2013
dc.description.abstractI report on two years of participant observation of traditional musicians in Dublin, Ireland. In Irish traditional music, players from all walks of life gather at pub sessions to play tunes together. Due to the ethos of traditional music, the representation of tunes is a constant aesthetic concern. Drawing on the aesthetics of reception, I show how arriving at the proper “text” of a tune poses unique challenges. Rather than simply reading notes on sheet music, traditional musicians must imaginatively read the creative text on a “virtual space” to create art. Making music involves a nuanced process of learning, knowing, and retaining a tune. The tune is not a static entity but one dynamically shaped by its social context and provenance. The social life of tunes suggests that technologies ought to support the practice of practicing seamlessly across the performance-oriented session and the solitary pursuit of skill, while allowing novices a way to conceptualize the historical flexibility of the tune. I will outline a new agenda of surveilling tradition to represent the aesthetics of reception. With the burgeoning interest in the collaborative work of tradition, this work provides new perspectives into the creative processes involved in representation.
dc.identifier.doi10.1007/978-1-4471-5346-7_11
dc.identifier.isbn978-1-4471-5345-0
dc.language.isoen
dc.publisherSpringer, London
dc.relation.ispartofECSCW 2013: Proceedings of the 13th European Conference on Computer Supported Cooperative Work
dc.relation.ispartofseriesECSCW
dc.titleThe Social Life of Tunes: Representing the Aesthetics of Reception
dc.typeText
gi.citation.endPage228
gi.citation.startPage207
gi.conference.date21-25 September 2013
gi.conference.locationPaphos, Cyprus
gi.conference.sessiontitleFull Papers

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