Please use this identifier to cite or link to this item: https://dl.eusset.eu/handle/20.500.12015/2515
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dc.contributor.authorBenford, Steve
dc.contributor.authorGreenhalgh, Chris
dc.contributor.authorSnowdon, Dave
dc.contributor.authorBullock, Adrian
dc.date.accessioned2017-04-15T11:52:27Z-
dc.date.available2017-04-15T11:52:27Z-
dc.date.issued1997
dc.identifier.isbn978-94-015-7372-6
dc.description.abstractWe discuss the design of a CVE poetry performance and experiences arising from staging it to two hundred members of the public. The design, a collaborative effort between computer scientists, artists, poets and producers, addresses issues of. virtual world structure
dc.description.abstractembodiment of performers and audience
dc.description.abstractnavigation interfaces
dc.description.abstracttemporal structure of the event
dc.description.abstractand mixed reality presentation Experiences include virtual audience members often ignoring the poets and conflicting attitudes towards embodiment New CVE design possibilities are proposed, including object centred interaction, context sensitive interaction and tools to define and manage the spatial and temporal structure of events.
dc.language.isoen
dc.publisherKluwer Academic Publishers, Dordrecht, The Netherlands
dc.relation.ispartofECSCW 1997: Proceedings of the Fifth European Conference on Computer Supported Cooperative Work
dc.relation.ispartofseriesECSCW
dc.titleStaging a Public Poetry Performance in a Collaborative Virtual Environment
dc.typeText
mci.conference.date7-11 September 1997
mci.conference.locationLancaster, United Kingdom
mci.conference.sessiontitleFull Papers
mci.reference.pages125-140
Appears in Collections:ECSCW 1997: Proceedings of the Fifth European Conference on Computer Supported Cooperative Work

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