Heterogeneity in Harmony: Diverse Practice in a Multimedia Arts Collective

dc.contributor.authorCook, Eric
dc.contributor.authorTeasley, Stephanie D.
dc.contributor.authorOlson, Judith S.
dc.date.accessioned2023-06-08T11:43:56Z
dc.date.available2023-06-08T11:43:56Z
dc.date.issued2005
dc.description.abstractHCI and CSCW researchers have begun to call for greater and more explicit support of creative endeavors. Current theories of creativity suggest that it is an inherently collaborative activity, situated and highly contextualized. This work argues that a contextualized view of creativity calls in turn for assessment and technological support to be considered in situ.This poster presents a case study of the creative collaboration in a multimedia arts collective, with the goal of describing their current practices to inform appropriate information system design. We found that even a small and cohesive collaborative arts group contained a multitude of artistic practices and production tool choices, several distinct but interdependent work tracks and a variety of attitudes about the individual members' collaborative roles. Such heterogeneity, evidenced even within a self-selected and self-organized group, suggests challenges for future technological support of creative practices.en
dc.identifier.doi10.1145/1099203.1099265
dc.identifier.urihttps://dl.eusset.eu/handle/20.500.12015/4843
dc.language.isoen
dc.publisherAssociation for Computing Machinery
dc.relation.ispartofProceedings of the 2005 ACM International Conference on Supporting Group Work
dc.subjectcase study
dc.subjectITCP
dc.subjectpractice
dc.subjectevaluation
dc.subjectart
dc.subjectcollaboration
dc.subjectmultimedia
dc.subjectcreativity
dc.titleHeterogeneity in Harmony: Diverse Practice in a Multimedia Arts Collectiveen
gi.citation.publisherPlaceNew York, NY, USA
gi.citation.startPage334–335
gi.conference.locationSanibel Island, Florida, USA

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