Connecting Through Objects∗: Sharing Memories Through Participatory Stop-Motion Animation with Personal Objects of the Armenian Diaspora

Abstract

Diaspora communities, such as the Armenian, who lost their tangible connection to their homeland, tend to carry objects with them that are representative of their roots and create a sense of belonging. Stop-motion animation can bring objects into life through sequential photography. As the objects are manipulated by the animator, directly by touching, or indirectly by accidental physical contact, stop-motion is directly linked to the sense of touch and materiality. Through this, we believe the stop-motion animation process can evoke rich memories. In this paper, we report on an exploratory stop-motion workshop, which was organised in collaboration with five Armenian community members with no prior animation making experience. We learned how the participatory stop-motion animation approach evoked memories through its inherent connection to storytelling and tangible manipulation, and how the creative group process supports a sense of belonging that transcends self-representation and bridges different cultures.